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(One commenter pointed to the "much better tonality" of the film scan. The film emulation preset was not perfect, but it did get a generally similar look. I put the Sony's files through a Porta 160 film emulation preset, and I scaled the film scans down to the same 24 MP size (which I don't think lost any meaningful image detail).
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As someone who spent countless hours in the darkroom i can honestly say that i do not miss it (i also did multiple tests where i took borders of portra, slap them on a digital file edited to fake a look of portra and posted them next to actual pics taken on portra but re-edited after scan just to hear "how film just kills digital" - get the point? Yes, there is something special about shooting film but it isn't "how they look" but rather about "how you shoot it" when you shoot mid format film you take your time - your posing, composition, framing is "thought trough" - meaning you take your time - after all you get about 10 (6×7) exposures from the 120 roll - digital photographers tend to "spray and pray" taking hundreds of exposures per session hoping that they get something good - i shoot digital same way i shot film - my average studio or location session will be 50-70 exposures, tops (tethered studio sessions are usually less since i know right away if i got a shot i was looking for per look) - just my 5 cents.įor whatever it's worth, I once set up my tripod and took a series of comparative test shots with my original Sony A7 and with a Fuji GW690 III loaded with Portra 160. First of all, if i hear "there is something special about film" i will get physically ill.
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The Mamiya RZ67, however, has a fixed selection of lenses since they are not made anymore the 110mm f/2.8 is widely regarded as one of the most legendary portrait lenses ever and is a real joy to use.ĭo you have any experience shooting medium format film and a newer full frame digital camera side by side? The Sony a7 series has a great selection of existing lenses for portrait work, and the selection is growing year by year. I found this particular video engaging since I own and regularly use a Mamiya RZ67 as well as a Sony a7 camera (an a7R II), and while I am a landscape photographer primarily, I take a good number of portraits and enjoy using both cameras for them. The Sony a7 III has proven itself to be a modern workhorse, capable of meeting just about any photographer's needs. Though the RZ67 has not been made for some time, it was widely considered one of the best portrait cameras of its time. In this video brought to us by Sophia Carey, we see a fashion portrait shootout between a Mamiya RZ67 (loaded up with Kodak color negative film) and a Sony a7 III.
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Please do not share illegal download links on the subreddit.With film's popularity on the rise, photographers shooting both film and digital is becoming more and more common.
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r/silkysmoothmusic /r/boogiemusic /r/softrock /r/jazzfusion /r/vintageobscuraĮxternal links/blogs: Kayo Kyoku Plus (lots of info and YT links!) Related subreddits: /r/TrueCityPop (a highly curated alternative) /r/JapaneseNewMusic /r/japanesemusic /r/jfunk /r/shibuyakei /r/jpop /r/OmegaTribe /r/Yuming Listen to the subreddit on Music Player for Reddit Essentially a "mood" or "lifestyle" genre, its themes reflected a life of luxury in a sophisticated urban environment. a breezy, mellow mixture of smooth jazz and album-oriented rock – often with elements of jazz fusion, jazz-funk, or boogie – which appealed to an older and more affluent Japanese audience. In the early 1980s, with the spread of car stereos, the term City Pop came to describe a type of popular music. Guide: How Do I Collect Japanese Music from Outside Japan?Ībout City Pop (Text Source: Wikipedia, RYM) Or check out SuperKayo, a community maintained CITY POP and Japanese oldies archive. Just discovered City Pop? Try one of these recommendation charts:īy color: Red / Blue / Yellow / Purple-ish / Grayscale
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